Category: Writing Tips

  • The Theme Of Your Story

    What Theme Is.—Every story must have a start, a beginning, a foundation. Such a nucleus we call the theme. The theme of the story is that part of the story about which the author builds his complete production. Of course, the theme of the story may not be the germ idea or the bare incident […]

  • Point Of View

    The Purpose of Point of View.—The reader comes to you, the author, as an entire stranger. From the moment of introduction, he gladly relinquishes all conscious hold on his practical every-day world. He is determined to incorporate himself into the soul and being of your hero, to think that He is this hero; hence, has […]

  • Setting In The Photoplay

    The Function of Setting Explained.—Setting in the photoplay consists of the time, place, and condition it) which the action takes place. In the setting we have what we might call “atmosphere” in terms of art, or “environment” in the terminology of science. In a way, the setting means to the plot and characters what the […]

  • The Photoplay Title

    Increasing Importance of the Title.—There has been a style in tides somewhat as in dress. At one time it was customary to use a certain fixed order of words. Later the fad was to use the leading character’s name as a title. Then titles of color were used. But all the while, little real attention […]

  • The Photoplay Stage

    Its Scope.—The scope, or view, encompassed by a photo-play camera is commonly called the “photoplay stage,” no matter whether in a studio or out-of-doors. The photoplay stage, then, may seem to the beginner to be quite a large area; but, in reality, it is not so large as it at first seems. The fact of […]

  • What To Write About

    Why the Human Element Is Important.—The human element-heart interest and human interest—sells more manuscripts than anything else. No matter how cleverly your work is written, how carefully constructed your plot, how gripping the events, it will fail if it lacks heart interest or human interest. You must capture the interest and smypathy of your audience. […]

  • Things You Should Not Write About

    Avoid Impossible, Impracticable and Too Expensive Subjects. The preceding chapter has indicated the importance of knowing what to write about. It is also vital for the beginner. to know what he should not write about, for there are many subjects which, in themselves, make the sale of a photoplay practically impossible. The beginner often writes […]

  • Writing Comedy

    The Four Types of Humorous Plays.—In the photoplay world, there are few fine distinctions between the different types of manuscripts. Plays are loosely classified as “dramas” or “comedies,” depending on whether they are inclined to be serious or merely funny. There are four distinct types of comedy subjects: (1) Extravaganza, (2) burlesque, (3) farce, (4) […]

  • Writing And Continuity, Or Scenario

    Continuity Explained.—The continuity, or scenario, is the fourth division of the photoplay script—as used by the director in the studio. In the continuity, the plot is out-lined in action, just as it appears on the screen; everything your characters do—every action they go through—is recorded in the scenario. All reading matter appearing on the screen […]

  • Excercise In Plot Building

    Perhaps the best manner in which the young writer can become most intimately acquainted with the processes of plot-building is to have stories built up and taken down right before his eyes. I cannot urge you too strongly to study all the stories you read, after you have first read them for the pleasure derived. […]